Analysis
segments 1 though 12
are based upon the actual
weakness and strengths
we determined from the voice
sample using
our
proprietary algorithms.
Analysis segments
13
to 19 are octave wave frequency
pairs from the Periodic
Table of
Elements. We used our proprietary
frequency information
derived from
analysis segments 4 through
12 to determine which pair
of elements
to play.
The first 3 analysis
segments are taken from the complete
linear voice sample. They are based
upon maximum amplitude (power) in
the voice. Each of these tones is
played for 1 minute at their actual
frequency in pure Sine waves (no
harmonics). This is the only step
that we ask the client to participate
in. We want them to repeat back
audibly the tone they are hearing.
It is important that they have their
eyes closed while doing this process.
Most
people will say they
cannot do this but you
must encourage them.
The process sets the stage for
them to
give permission to themselves
to accept
the change that will
come from the
Quantum
Sound Therapy process.
In every case if you do a simple
muscle
test on
a person and ask them
if they would like to get better
they
will
say, “YES” but their body
will test “NO”. This
simple attempt to replicate the
tone they are hearing will produce
brainwave coherence and usually
you will see “RAPID EYE MOVEMENT” (REM)
occurring.
These first 3 tones
are played for 40 seconds,
followed by 10 seconds of silence. Most people
will find it exhausting
to repeat these first 3 tones for 1 minute.
We take advantage of
a natural phenomenon that occurs when you stimulation
for 1 minute followed
by 10 seconds of silence. This process encourages
the awareness, which
is now lively but undirected to seek the greatest
source of charm. In
other words you will automatically seek out
and experience deeper
levels of consciousness.
Keep in mind, that
during our Quantum
Sound Therapy process we use the voice sample
to guide
the client to deeper
levels of their own consciousness. When the mind
settles down, the
body also settles down, and the release of deeply
stored stresses occur.
These are deep stresses that are not normally
released even during regular sleep.
After the first
3 tones are completed
advise the client to just relax, keep their
eyes closed and
enjoy the inner journey. There is nothing further
for them to do.
All the following analysis segments will be lowered
down and played in the Alpha, Theta,
and Delta levels
using Triangle Waveforms with Sine wave modulation.
Analysis segments
4 through 7 are
based upon an energy triangle that is created using
the
information derived
from layering 5 octaves on top of each other.
We then break
down the individual 12 notes within the octave and
determine
the strongest
consistent amplitude within that note (analysis segment
4). Then, the
strongest consistent amplitude within the low note
(analysis
segment 5) and
finally the strongest consistent amplitude within
the
lowest note (analysis segment 6).
We play analysis
segments 4,
5 and 6 for 70 seconds followed by 10 seconds of silence.
Analysis segment
7 is the same as analysis segment 4 but this time
it is only
played for 1 minute. We have always found a direct
relationship
within the
element kingdom that exists between the weakness and
strength when
examining the voice sample. After stimulating these
systems, we
close the process by returning to the strongest note,
analysis segment
4 again.
In every case this dominant
strong note when
first played
was very enjoyable because their energy was focused
on it. Now it is not as
charming as it was in the beginning
simply because we have stimulated
the two lowest energy points through
the principles of resonance. In
other words the dominant energy
of analysis segment 4 had a direct
influence on suppressing the energy
in analysis segments 5 and 6.
The frequency from
analysis
segment 4 was used to select the element pair that
will be played in analysis
segment
13. The frequency from analysis segment 5 was used
to select the
element
pair played in analysis segment 14 and the frequency
from
analysis
segment 6 was used to select the element pair played
in analysis
segment 15.
Analysis segments
8, 9 and 10 are in fact the same
frequencies played for
70 seconds followed by 10 seconds of silence.
These three analysis segments are
based upon information gathered
from the fundamental first or prime
octave that the client normally
speaks in. The harmonics that follow
in their speech pattern are based
upon this fundamental octave.
We used this fundamental
octave to determine the strongest
consistent
amplitude within the highest note and the lowest consistent
amplitude
within the lowest note. We then play these two frequencies
together
three times using the principles of stimulation and
rest. This sets the
stage
for a balancing frequency analysis segment 11 to
be introduced.
Analysis
segment 8 was used to determine the high and low element
pairs that
will
be played in analysis segments 16 and 17.
Analysis segment
11
is played for 70 seconds and represents the balancing
or average
frequency
from segment 8. Analysis segment 11 is used to determine
the element pair that will be played
in analysis segment 17.
Analysis segment
12 is again based upon the complete linear display
but this time we
used the information to create a weighted average
based upon the
strongest consistent amplitudes from all the octaves.
This frequency
is played for 70 seconds followed by 10 seconds of
silence. Analysis
segment 12 was used to determine the element pair
that is played
in analysis segment 18.
Our
award winning VAHS software has been renamed “Quantum
Sound Therapy”
Compatible – on
Windows 7 and 8
